Country music

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Country
Stylistic origins: Appalachian folk music, blues, spirituals and Anglo-Celtic music
Cultural origins: early 20th century Appalachia, esp. Tennessee, Virginia, and Kentucky
Typical instruments: Guitar - Steel guitar - Dobro - Harmonica - Bass - Fiddle - Drums - Mandolin - Banjo
Mainstream popularity: Much, worldwide, especially the Nashville Sound
Derivative forms: Bluegrass
Subgenres
Bakersfield Sound - Bluegrass - Close harmony - Country folk - Honky tonk - Jug band - Lubbock Sound - Nashville Sound - Neotraditional Country - Outlaw country
Fusion genres
Alternative country - Country rock - Psychobilly - Rockabilly - Country-rap
Regional scenes
Australia
Other topics
Musicians - List of years in Country Music

Country music, also called country and western music or country-western, is an amalgam of popular musical forms developed in the Southern United States, with roots in traditional folk music, Celtic Music, Blues, Gospel music, and Old-time music.

However, country music is actually a catch-all category that embraces several different genres of music: Nashville sound (the pop-like music very popular in the 1960s); bluegrass, a fast mandolin, banjo and fiddle-based music popularized by Bill Monroe and by the Foggy Mountain Boys; Western which encompasses traditional Western ballads and Hollywood Cowboy Music, Western swing, a sophisticated dance music popularized by Bob Wills; Bakersfield sound (popularized by Buck Owens and Merle Haggard); Outlaw country; Cajun; Zydeco; gospel; oldtime (generally pre-1930 folk music); honky tonk; Appalachian; rockabilly; neotraditional country and jug band.

Each style is unique in its execution, its use of rhythms, and its chord structures, though many songs have been adapted to the different country styles. One example is the tune Milk Cow Blues, an early blues tune by Kokomo Arnold that has been performed in a wide variety of country styles by everyone from Aerosmith to Bob Wills to Willie Nelson, George Strait to Ricky Nelson and Elvis Presley.

Vernon Dalhart was the first country singer to have a nationwide hit (May 1924, with "The Wreck of Old '97") (see External Links below). Other important early recording artists were Riley Puckett, Don Richardson, Fiddling John Carson, Ernest Stoneman, Charlie Poole and the North Carolina Ramblers, and The Skillet Lickers.

Some trace the origins of modern country music to two seminal influences and a remarkable coincidence. Jimmie Rodgers and the Carter Family are widely considered to be the founders of country music, and their songs were first captured at an historic recording session in Bristol, Tennessee on August 1, 1927, where Ralph Peer was the talent scout and sound recordist.

It is possible to categorize many country singers as being either from the Jimmie Rodgers strand or the Carter Family strand of country music.

Contents

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Jimmie Rodgers' influence

Jimmie Rodgers' gift to country music was country folk. Building on the traditional ballads and musical influences of the South, Jimmie wrote and sang songs that ordinary people could relate to. He took the experiences of his own life in the Meridian, Mississippi, area and those of the people he met on the railroad, in bars and on the streets to create his lyrics. He used the musical influences of the traditional ballads and the folk to create his tunes. A annual festival has been held in Meridian for over 30 years.

Pathos, humor, women, whiskey, murder, death, disease and destitution are all present in his lyrics and these themes have been carried forward and developed by his followers. People like Hank Williams, Merle Haggard, Waylon Jennings, George Jones, Townes van Zandt, Kris Kristofferson and Johnny Cash have also suffered, and shared their suffering, bringing added dimensions to those themes. It would be fair to say that Jimmie Rodgers sang about life and death from a male perspective, and this viewpoint has dominated some areas of country music. It would also be fair to credit his influence for the development of honky tonk, rockabilly and the Bakersfield sound.

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Hank Williams

Jimmie Rodgers is a major foundation stone in the structure of country music, but the most influential artist from the Jimmie Rodgers strand is undoubtedly Hank Williams, Sr. In his short career (he was only 29 when he died), he dominated the country scene and his songs have been covered by practically every other country artist, male and female. Some have even included him in their compositions (for example, Waylon Jennings and Alan Jackson). Hank had two personas: as Hank Williams he was a singer-songwriter and entertainer; as "Luke the Drifter", he was a songwriting crusader. The complexity of his character was reflected in the introspective songs he wrote about heartbreak, happiness and love (e.g., "I'm So Lonesome I Could Cry"), and the more upbeat numbers about Cajun food ("Jambalaya") or barbershop Indians ("Kaw-Liga"). He took the music to a different level and a wider audience.

Both Hank Williams, Jr. and his son Hank Williams III have been innovators within country music as well, Hank Jr. leading towards rock fusion and "outlaw country", and Hank III going much further in reaching out to death metal and psychobilly soul

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The Carter Family's influence

The other Ralph Peer discovery, the Carter family, consisted of A.P. Carter, his wife Sara and their sister-in-law Maybelle. They built a long recording career based on the sonorous bass of A.P., the beautiful singing of Sara and the unique guitar playing of Maybelle. A.P.'s main contribution was the collection of songs and ballads that he picked up in his expeditions into the hill country around their home in Maces Springs, Virginia. In addition, being a man, he made it possible for Sara and Maybelle to perform without stigma at that time. These two women were the musical talent. They arranged the songs that A.P. collected and wrote their own songs. They were the precursors of a line of talented female country singers like Kitty Wells, Patsy Cline, Loretta Lynn, Skeeter Davis, Tammy Wynette, Dolly Parton and June Carter Cash, the daughter of Maybelle and the wife of Johnny Cash.

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Bluegrass

Bluegrass carries on the tradition of the old String Band Music and was invented, in its pure form, by Bill Monroe. The name "Bluegrass" was simply taken from Monroe's band, the "Bluegrass Boys. The first recording in the classic line-up was made in 1945: Bill Monroe on Mandolin and Vocals, Lester Flatt on Guitar and Vocals, Earl Scruggs on 5-String Banjo, Chubby Wise on Fiddle and Cedric Rainwater on Upright Bass. This band set the standard for all bluegrass bands to follow, most of the famous early Bluegrass musicians were one-time band members of the Bluegrass Boys, like Lester Flatt & Earl Scruggs, Jimmy Martin and Del McCoury, or played with Monroe occasionally, like Sonny Osborne, Ralph & Carter Stanley and Don Reno. Monroe also influenced people like Ricky Skaggs, Alison Krauss and Rhonda Vincent, who carry on the folk and ballad tradition in the bluegrass style.

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Other influences

Country music has had only a handful of Black stars Charley Pride and Deford Bailey being the most notable. Pride endured much open racism early in his career with some radio programmers refusing to play a "nigger". Many TV audiences were shocked to realize that the songs they enjoyed were performed by a black man. Pride became the first black member of the Grand Ole Opry in 1993. He is considered a major influence on traditionalists today. Country music has also influenced the work of many black musicians such as Ray Charles and Keb' Mo'.

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The Nashville sound

During the 1960s, country music became a multimillion-dollar industry centered on Nashville, Tennessee. Under the direction of Chet Atkins, the Nashville sound brought country music to a diverse audience. Although country music has great stylistic diversity, this diversity was strangled somewhat by the formulaic approach of the record producers like Chet Atkins. They played safe to protect sales. Even today the variety of country music is not usually well reflected in radio airplay and the popular perception of country music is still influenced by the maudlin ballads and whining steel guitars that many people still associate with the genre.

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Reaction to the Nashville sound

The "vanilla"-flavored sounds that emanated from Nashville under the influence of Chet Atkins and his fellow producers led to a reaction among musicians outside Nashville, who saw that there was more to the genre than "the same old tunes, fiddle and guitar..." (Waylon Jennings).

California produced the Bakersfield sound, promoted by Buck Owens and Merle Haggard and based on the work of the legendary Maddox Brothers and Rose, whose wild eclectic mix of old time country, hillbilly swing and gospel in the 1940s and 1950s was a feature of honky-tonks and dance halls in the state.

Texas produced rebels like Willie Nelson, Waylon Jennings, Jimmie Dale Gilmore, Butch Hancock, Jerry Jeff Walker and others who bucked the Nashville system and created outlaw country.

Within Nashville in the 1980s, Randy Travis, Ricky Skaggs and others brought a return to the traditional values. Their musicianship, songwriting and producing skills helped to revive the genre momentarily. However, even they, and such long-time greats as Jones, Cash, and Haggard, fell from popularity as the record companies again imposed their formulas and refused to promote established artists. Capitol Records made an almost wholesale clearance of their country artists in the 1960s.

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Country music developments

The two strands of country music have continued to develop. The Jimmie Rodgers influence can be seen in a pronounced "working man" image promoted by singers like Brooks & Dunn and Garth Brooks. On the Carter Family side, singers like Iris Dement and Nanci Griffith have written on more traditional "folk" themes, albeit with a contemporary point of view.

In the 1990s a new form of country music emerged, called by some alternative country, or "insurgent country". Performed by generally younger musicians and inspired by traditional country performers and the country reactionaries, it shunned the Nashville-dominated sound of mainstream country and borrowed more from punk and rock groups than the watered-down, pop-oriented sound of Nashville.

There are at least three U. S. cable networks devoted to the genre: CMT (owned by Viacom), VH-1 Country (also owned by Viacom), and GAC (owned by The E. W. Scripps Company).

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Samples

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Further reading

  • In The Country of Country: A Journey to the Roots of American Music,
    Nicholas Dawidoff, Vintage Books, 1998, ISBN 0-375-70082-x
  • Are You Ready for the Country: Elvis, Dylan, Parsons and the Roots of Country Rock,
    Peter Dogget, Penguin Books, 2001, ISBN 0-140-26108-7
  • Dreaming Out Loud: Garth Brooks, Wynonna Judd, Wade Hayes and the changing face of Nashville,
    Bruce Feiler, Avon Books, 1998, ISBN 0-380-97578-5
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Early innovators

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The Golden Age


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Country rock

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Contemporary Country Stars 1980-2005


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Television and radio shows of note

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See also

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External links

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Tribute sites to early artists

American roots music
Appalachian | Blues (Ragtime) | Cajun and Creole (Zydeco) | Country (Honky tonk and Bluegrass) | Jazz | Native American | Spirituals and Gospel | Tejano
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